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The new Common English Bible (http://CommonEnglishBible.com) is #7 in unit sales and #10 in dollar sales on the CBA Bible Translation Best Seller list for the month of April (http://cbaonline.org/nm/documents/BSLs/Bible_Translations.pdf). This marks the fourth month the Common English Bible (Twitter @CommonEngBible – http://twitter.com/CommonEngBible) has been on the Unit Sales list (moving up from #10) and the first month it’s appeared on the Dollar Sales list since its release last fall.

“The broad acceptance of the Common English Bible by scholars, consumers, and book sellers is gratifying,” says Paul Franklyn, PhD, associate publisher. “It confirms our decision to create an academically rigorous yet naturally understandable translation for 21st century English readers; a translation from the original Hebrew, Aramaic, and Greek that’s built on common ground from the bottom up.”

The Common English Bible’s popularity has soared since it was first released last September. In addition to being a repeat best seller,

·         it was named one of the top 10 religion stories of 2011 by leading journalists of the Religion Newswriters Association

·         people are printing its verses in calligraphy when they LIKE the Facebook page http://facebook.com/LiveTheBible

·         a Lenten PowerPoint^® presentation of nature scenes in vivid color photography combined with scripture verses from the Common English Bible has been viewed, downloaded, and embedded more than 10,000 times (http://CommonEnglishBible.com/CEB/LentDownloads and http://slideshare.net/CommonEnglishBible)

·         200 bloggers are participating in the “Common English Bible Change Your Heart and Life” blog tour (http://CommonEnglishBible.com/CEB/blogtour) through Pentecost Sunday in May (Twitter hashtag #CEBtour – http://twitter.com/#!/search/realtime/%23CEBTour).

·         the Common English Bible’s video “Who Does God Love” (vimeo.com/CommonEnglishBible) has registered more than 1,000 views and blog embeds (see above)

·         the Common English Bible text, including the Apocrypha, is available to search for free online at Bible Gateway (http://www.biblegateway.com/versions/Common-English-Bible-CEB/), YouVersion.com (http://www.youversion.com/versions/ceb), and the translation’s website

·         more than 6,000 people subscribe to the email Common English Bible “Verse of the Day” delivered daily to personal email inboxes from Bible Gateway (http://www.biblegateway.com/newsletters/)

·         and churches are using the translation to read through the Bible in a year (e.g. http://www.fourthchurch.org/bibleyear.html).

The Common English Bible is a collaboration of 120 Bible scholars and editors, 77 reading group leaders, and more than 500 average readers from around the world. The translators – from 24 denominations in American, African, Asian, European, and Latino communities – represent such academic institutions as Asbury Theological Seminary, Azusa Pacific University, Bethel Seminary, Denver Seminary, Princeton Theological Seminary, Seattle Pacific University, Wheaton College, Yale University, and many others.

The Common English Bible is written in contemporary idiom at the same reading level as the newspaper USA TODAY—using language that’s comfortable and accessible for today’s English readers. More than half-a-million copies of the Bible are in print, including an edition with the Apocrypha. The Common English Bible is available online and in 20 digital formats. A Reference Bible edition and a Daily Companion devotional edition are now also available. Additionally, Church/Pew Bibles, Gift and Award Bibles, Large Print Bibles, and Children’s Bible editions will be in stores soon, joining the existing Thinline Bibles, Compact Thin Bibles, and Pocket-Size Bibles, bringing the total variety of Common English Bible stock-keeping units (SKUs) to more than 40.

Visit CommonEnglishBible.com to see comparison translations, learn about the translators, get free downloads, and more.

The Common English Bible is sponsored by the Common English Bible Committee, an alliance of five publishers that serve the general market, as well as the Christian Church (Disciples of Christ) (Chalice Press), Presbyterian Church (USA) (Westminster John Knox Press), Episcopal Church (Church Publishing, Inc.), United Church of Christ (The Pilgrim Press), and The United Methodist Church (Abingdon Press).

For a media review copy of the Common English Bible and to schedule an interview with Paul Franklyn, please contact Diane Morrow, dmorrow@tbbmedia.com, at 800.927.1517, x106.

Simply Zesty (@SimplyZesty) / Simply Viral (@simplyviral) scouted this TED (@tedtalks) talk of YouTube (@YouTube) trends manager Kevin Allocca (@shockallocca) speaking at a TEDYouth (@TEDYouth) event on the 3 reasons a video goes viral:

·         Tastemakers: when influential people discover new videos and introduce those videos to their followers

·         Participation: when viewers of a video become motivated enough to produce another version of the video

·         Unexpectedness: when a video contains surprises, especially in a humorous manner.

Allocca says over 48 hours of video are uploaded to YouTube every minute.

Also see our other blogposts about viral videos:

• "P&G Wins Hearts & Top Marks with Olympic Video Spots"
• "Video: What a Wonderful World"
• "The Art of Hand-Bound Books"
• "McDonald's Behind-the-Scenes Video Goes Viral"
• "Seeding, Not Quality, is Vital to Make Videos Viral"
• "What Makes a Story Popular and Viral?"
• “How ‘A Charlie Brown Christmas’ Reveals the True Meaning of Viral Content”
• “Infographic: Understanding Viral Content Marketing”
• "A Video About a Poster Masks a Bookstore's Promotion"
• "Unlikely Videos Go Viral"
• "LEGO Celebrates 80th Birthday With Animated 'Short' Film"
• "Video: The Viral Benefits of a Satisfied Customer"
• "Video: PSA Uses Whimsy to Communicate Grim Message"

What principles have you identified that contribute to a video going viral? Write your comments below.

Let Somersault (@smrsault) help you strategize your brand’s social media communication.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

SXSW (@sxsw) (pronounced “south by southwest”), the annual Austin, Tex.-based festival of interactive ventures, music, and film, runs March 9-18, for another year’s presentations on innovation in technology, music, cinema, and new business platforms that will attract more than 20,000 attendees. SXSW Interactive runs March 9-13, focusing on books, publishing, and new media technology.

Panel presentations and discussions include “The Future of Lifestyle Media,” Making a Grand Entrance: How to Launch a Product,” and “The Present of Print: Paper’s Persistence.”

Publishers Weekly (@PublishersWkly) editors Rachel Deahl (@DeahlsDeals) and Calvin Reid (@calreid) are moderating two panel discussions:

Publishing Models Transforming The Book, will examine how conventional publishing industry business models are being rearranged and reinvented, and how books and book content are being offered to consumers in the digital age. The panel features content entrepreneurs like Brian Altounian (@BrianAltounian), CEO of Wowio.com (@WOWIO) (announcing the rebranding of itself as Studio W), and Swanna McNair (@swannamac), founder of Creative Conduit. Also on-hand will be Molly Barton (@MollyBBarton), director of digital publishing and business development at Penguin (@penguinusa) / Book Country (@Book_Country), and Jefferson Raab, creative director at The Atavist (@theatavist).

And Reid will moderate the panel Discoverability and the New World of Book PR, organized by Austin based book media relations veterans Barbara Cave Henricks, founder of Cave Henricks Communications (@CaveHenricks) and Rusty Shelton (@RustyShelton), owner of Shelton Interactive as well as Hollis Heimbouch (@heimbouch), vp and publisher at Harper Business (@HarperCollins). The panel will examine book marketing and promotion at a time when physical bookstore shelf space is declining and more books are being released.

Read this in full.

Also see our previous blogpost “Discoverability in the Digital Age: Personal Recommendations and Bookstores.”

Contact Somersault (@smrsault) to help you identify blue ocean strategy for your brand.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

The Associated Press is talking up a new “visual identity system,” to be rolled out over the coming months (a historical retrospective of AP logos is shown above with the new logo on the right).

The global news network says the look and logo are designed for the digital era and are supposed to unite its various offerings as part of a “master brand” strategy. AP called this the first significant change in its look in 30 years. The first use is on its new AP Mobile news app and AP.org website (@AP). According to its brand introduction (pdf) document, the new visual identity system brings to life the AP values of “integrity, action, and independence...and creates a distinct footprint in the media marketplace.”

AP President/CEO Tom Curley says in the announcement, “We have world-class content and world-class products and now we have the world-class look to go with them.”

The system expands the range of colors and designs available for use in AP products and services. The logomark recognizes the past stencil pattern while the logotype is black with a red underscore, both in a white box. This design is by the firm Objective Subject (@ob_sub), which says the red underscore, dubbed ‘the prompt,’ “evokes AP’s emphasis on editorial rigor and precise and accurate approach.” It goes on, “We retained the original logo’s stencil lettering, which embody the gutsy and adventurous personality of an international news organization.”

The Associated Press Stylebook (@APStylebook) is considered to set the standard in journalistic (and public relations) spelling and grammar.

Let Somersault (@smrsault) help you establish or update your logomark to convey your brand’s true identity.

Be sure to bookmark and use daily the SomersaultNOW online dashboard; especially the Religion News tab.

Business Insider SAI’s (@SAI) Chart of the Day (@chartoftheday) above depicts book popularity on Goodreads (@goodreads) by members listing the books they’re reading or would like to read, and the spike a book receives after it's mentioned by NPR (@NPR) or The New York Times (@nytimes).

Let Somersault (@smrsault) help your brand’s publicity.

And bookmark our SomersaultNOW online dashboard; especially see the Marketing/PR tab.

Novelist Ann Patchett discusses on The Colbert Report the importance of brick-and-mortar bookstores and explains what prompted her to open Parnassus Books (@ParnassusBooks1) in Nashville.

In Fast Company (@FastCompany), NYU journalism professor Adam L. Penenberg (@penenberg) interviews self-published author Charles Orlando, who’s written two volumes of The Problem With Women… Is Men. Orlando has sold upwards of 15,000 copies of his work as a Kindle, iPad, and iPhone ebook, as well as a traditional paperback, generating around $130,000 since its release in November 2008.

Which self-publishing service did you choose?

BookSurge Publishing (now CreateSpace, @CreateSpace). BookSurge was partnered with Amazon.com, and once I was published, my book was automatically included on Amazon.com (this was 2007/2008, before there was a real ebook publishing effort). It was print-on-demand with really good quality, so I didn't need to hold an inventory and I didn't need to be part of the backend stuff: shipping, fulfillment, returns, chargebacks, etc. Plus, I would get all the benefit of being grouped with best-selling authors, receive reviews, and more. They had multiple levels of service – editing, marketing, public relations, custom covers, and much more – but I elected to go with a flexible offering (allowing me a custom interior, custom cover, and no more than 10 interior illustrations).

What did all this cost?

Editor: $500 (flat fee)

BookSurge publishing package: $900 (now priced lower)

Cover design and all artwork: $750

25 copies (for review): Free.

Total: $2,150

He goes on to explain how he marketed his book.

I started a blog: three posts a week. Simultaneously, I spun up my Facebook and Twitter (@charlesjorlando) efforts and started publishing my blog posts to my Facebook Page. But I could see that readers had to leave Facebook or Twitter to interact with what I had written. As a test, I just wrote on Facebook, using the Notes application on my Page. And... voila... increased engagement and interactivity; more comments, more sharing on individuals' Walls. I took down my blog at the end of 2009 and in an effort to meet my audience where they "lived" I transitioned all my efforts to Facebook (and some on Twitter). My Facebook Fan Page was now a few hundred strong.

Read this in full.

Contact Somersault (@smrsault) to help you with your publishing, marketing, and branding needs.

Be sure to bookmark and use daily the SomersaultNOW online dashboard; especially take advantage of the list of self-publishers in the Publishers tab.

How do people discover books in the digital age? Digital Book World (@DigiBookWorld) reports that, according to a survey presented at the Digital Book World conference (#dbw12) in New York last month, nearly half of readers discover new books through the recommendations of family and friends, and nearly a third discover them at bookstores.

·         49% - Family and friends’ recommendations

·         30% - Bookstore staff recommendations

·         24% - Online and print advertising

How will readers discover, buy, and read new books as e-reader and tablet ownership increase and traditional books sales channels are challenged?

See this article in full.

A new service that wants to help in this regard is Small Demons (@smalldemons). It takes all of the meaningful data from all favorite books and puts it in one place. Small Demons collects and catalogs the music, movies, people, and objects mentioned in books and makes those details searchable, creating a universe of book details, or as the service calls it, a storyverse.

Book Baby (@BookBaby) says Small Demons CEO Valla Vakili was so intrigued by the description of Marseilles in Jean-Claude Izzo’s Total Chaos that he replaced the Paris leg of his trip with Marseilles, an experience so inspiring that the concept of Small Demons was born.

In a recent interview with GalleyCat (@GalleyCat), Small Demons VP of content and community Richard Nash explained: “If you are an author, we are going to create verified author pages. You’re going to be able to add biographical information, information about your own books and other features. You will also get access to the editing tools that we are using to fix the computer’s mistakes. We know algorithms can’t get everything right and even when they get something right, they can’t necessarily provide the nuance that a human being can.”

Nash continued: “A computer can tell us how many times a song appears in a book. But it can’t tell us that it is the song that the couple dances to at the wedding reception or the song the jilted lover plays after being dumped. It can’t tell you the emotional resonance of it. So we are going to be relying on librarians and authors and gifted amateurs to come in and help us fix and add and weight and evaluate all the data we are generating. Individual authors will have that ability over an extended period of time.”

Read this in full.

Other services that aids in discovering new books are Rethink Books (@RethinkBooks) and its FirstChapters (@first_chapters) platform, and Findings (@findings), a tool for sharing clips while using Amazon Kindle.

Other articles about the challenge of finding books:

Enhanced Editions (@enhancededition), “On Book Discoverability, Discovery, and Good Marketing.”

Austin American Statesman (@statesman), “‘Discoverability’ key in publishing industry's transformation.”

AARdvark (@digitaar), “The Key to Saving Publishing and New Writers — Branding the Publisher to the Consumer.”

GalleyCat (@GalleyCat), “Amazon's Book Search Visualized: Check out this nifty, homemade book recommendation engine.”

The Digital Shift (@ShiftTheDigital), "Libraries Still an Important Discovery Source for Kids' Books, Says Study."

Also see our previous blogposts, “BookRiff (@BookRiff): A Marketplace for Curators” and "How Ebook Buyers Discover Books."

Along these same lines, you’ll want to read StumbleUpon’s (@PaidDiscovery) “Creating an Infectious Brand” and “Recapping the 5 Keys to Brand Discovery.”

Stay current with publishing news when you bookmark and use daily our (@smrsault) SomersaultNOW online dashboard., especially the Book Discovery Sites tab.

Thinkmodo (@thinkmodo) dreamed up a publicity stunt for the movie Chronicle about three teenagers who get superpowers and can fly. The stunt? Create people-shaped motorized kites, video record them flying over New York, and hope the video goes viral. It has. In just four days, the video has more than 5 million views on YouTube.  Discovery (@Discovery_News) explains the technology behind it all. And here’s a CNN report about it.

Also see our previous blogpost, “How ‘A Charlie Brown Christmas’ Reveals the True Meaning of Viral Content.”

Contact Somersault (@smrsault) to help you get people talking about your brand.

And be sure to bookmark and use daily the SomersaultNOW online dashboard, especially the Social Media/WOM tab.

On Practical Ecommerce (@practicalecomm), contributing editor Paul Chaney (@pchaney) says blogs have advantages over social media platforms when it comes to brand marketing, including the ability to improve SEO results and the chance to add a personal touch by having one person communicate the brand's message directly. Here are his 5 points:

1. Blogging Can Improve Search Engine Optimization

2. Blogs Add a Personal Touch

3. Blogs Help Build Brand

4. Blogs Attract Media Attention

5. Blogs Exploit Marketable Niches

Read this in full.

Let Somersault (@smrsault) help you manage your social media marketing strategy.

And be sure to bookmark and use daily the SomersaultNOW online dashboard; especially the Social Media/Word Of Mouth tab.