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The winners of the 2012 Christian Small Publisher Book of the Year Award have been announced by the Christian Small Publishers Association (CSPA) (@SarahBolme).

Christian Small Publisher Book of the Year Award honors books produced by small publishers each year for outstanding contribution to Christian life. Book lovers and retailers selling Christian products voted on the nominated titles in each of 12 categories.

The winners in each category are:

Fiction
Yahshua’s Bridge by Sandi Rog (DeWard Publishing Company (@dewardbooks))

Romance
Hearts Communion by Marianne Evans (@Marmo212) (White Rose Publishing/Pelican Book Group (@PelicanBookGrp))

Christian Living
Walking in Broken Shoes by Susan Magnuson Walsh (Grace Acres Press (@GraceAcresPress))

Bible Study / Theology
The Disciple Whom Jesus Loved by J. Phillips

Devotional
Just Honor God by Dr. Rick Metrick (ShadeTree Publishing)

Biography
Mr. Awana by Art Rorheim (Grace Acres Press (@GraceAcresPress))

Relationships / Family
Deliver Me: Help, Hope, & Healing through True Stories of Unplanned Pregnancy by Dianne E. Butts (@DianneEButts) (Connections Press)

Children (age 4 to 8)
Today I Found God by Greg Long (@LaughALongBooks); Nathan Wondrak, illustrator (Halo Publishing International (@HaloPublishing))

Children (age 8 to 12)
What Do Heroes Wear? by Gary Bower; Jan Bower, illustrator (Storybook Meadow Publishing)

Young Adult (age 12+)
Purity’s Big Payoff / Premarital Sex is a Big Rip-Off, Donna Lee Schillinger, editor (The Quilldriver (@OnMyOwnNowMin))

Gift Book
A Second Cup of Hot Apple Cider, N. J. Lindquist (@NJ_Lindquist) & Wendy E. Nelles, editors (That's Life! Communications (@ThatsLifeComm))

eBook Exclusive
Keyboarding for the Christian School, Elementary Edition by Leanne Beitel (@lbeitel) (Christian Keyboarding)

See the awards site.

Also see our previous blogpost, “ECPA Announces 2012 Christian Book Award Finalists.”

And be sure to bookmark and use daily SomersaultNOW, the online dashboard for publishing and marketing professionals.

The US Department of Justice announced April 11 it was suing Apple and 5 major international publishers (Hachette, HarperCollins, Macmillan, Penguin, and Simon & Schuster) for allegedly conspiring to fix — and subsequently increase — the price of ebooks in a bid to “require them to grant retailers — such as Amazon and Barnes & Noble — the freedom to reduce the prices of their ebook titles.” Hachette, HarperCollins, and Simon & Schuster have since settled their suits (see Publishers Weekly, “The Broad Strokes of the Hachette, HarperCollins, and S&S Price-Fixing Settlement”).

Read the summary by The Wall Street Journal, “Publishers Seek to Resolve Ebook Case” and the paper by Knowledge@Wharton (@knowledgewharton), "Ebook Price-Fixing: Finding the Best Model for Publishers — and Readers."

Coverage of the news by The New York Times includes “Book Publishing’s Real Nemesis,” “Competition Needs Protection,” and “Cut in Ebook Pricing by Amazon Is Set to Shake Rivals.”

For an historical perspective on the matter, see this NPR commentary by Jason Boog (@jasonboog), editor of GalleyCat (@GalleyCat).

“This wasn't the first time the industry had needed a quick and dirty price fix. During the Great Depression, publishers faced off against another seemingly invincible retail juggernaut: Macy's Department Stores.”

On ZDNet, Adrian Kingsley-Hughes (@the_pc_doc) expands the topic and asks, “Should the DoJ investigate ebook DRM and hardware lock-in?”

“For example, Apple only offers iBooks on the iOS platform, so when one day your favorite iDevice goes the way of all electronic devices, you either have to buy a new device or lose your entire iBooks investment.”

Let Somersault (@smrsault) help you navigate the turbulent seas of ebook publishing.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

The Vancouver Sun (@VanSunReporters) features this photo gallery of bookstores around the world that have décor stunning enough to make them repeated destination places. If only more stores were as beautiful.

See all the photos.

See our previous blogposts, “The 20 Most Beautiful Bookstores In The World” and “20 More Beautiful Bookstores from Around the World.”

If you’re a book lover like we (@smrsault) are, bookmark and use daily the SomersaultNOW online dashboard.

Launched in 1996, AbeBooks (@AbeBooks) is an online marketplace where consumers can buy new, used, rare, and out-of-print books, “as well as cheap textbooks.” It’s a connection point between shoppers and “thousands of professional booksellers around the world who list for sale millions of books.

One way it markets its brand is through video; lots of video. It’s produced 140 videos so far and offers them on its YouTube channel. Here are 3 examples.

Also see our previous blogposts, “A Video About a Poster Masks a Bookstore's Promotion” and “The 3 Qualities That Make A YouTube Video Go Viral”

Contact Somersault (@smrsault) to help you produce effective videos for your brand.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

In the Personal Tech section of The New York Times (@NYTpersonaltech), Alan Finder explains why you may or may not be able to digitally check-out your favorite books from your local library; and, if you find them, exactly how to do it.

Five of the six major publishers of trade books either refuse to make new ebooks available to libraries or have pulled back significantly over the last year on how easily or how often those books can be circulated. And complaints are rampant about lengthy waiting lists for best sellers and other popular ebooks from the publishers that are willing to sell to libraries....

These complexities may only increase with the announcement [April 11] that the Justice Department had filed a civil antitrust action against major book publishers and Apple, accusing the companies of colluding in 2010 to raise the prices of ebooks [on this subject, see the Publishers Weekly (@PublishersWkly) article, “ABA Calls DoJ Ruling ‘Baffling’” and its other coverage]. In the meantime, though, if you can find the ebook you want in the library, it’s easy to check it out. You can browse a library’s digital holdings from the comfort of your living room at any time. You don’t have to go to the library to borrow a book, and even better, you don’t have to go there to return it. Books vanish from your device when they are due. And you can get access to a library’s ebooks from myriad devices, including e-readers, tablets, and smartphones.

You do have to learn one of the two basic systems. One is for Amazon’s Kindle, which works directly through Amazon.com and is the easier of the two. The other requires you to download software from the Adobe website, and works for other e-readers.

Read this in full.

For a historical view on the topic of libraries and ebooks, see Mathew Ingram’s (@mathewi) article on GigaOm (@gigaom), “Kindle Lending: Book Publishers Still Not Getting It.”

Contact Somersault (@smrsault) to help you navigate 21st century digital publishing.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

In this article, Wired’s (@wired) Angela Watercutter (@WaterSlicer) writes how “with tablets selling at mind-boggling rates, book publishers are scrambling to figure out how to bring their ancient medium into the digital realm.”

Though the rewards promise to be great, the adaptation book publishers must make is far more complicated than that faced by the music and movie industries, which essentially needed to digitize their current products. Bookmakers must become multimedia companies — creating audio, video, and interactive components for their immersive, built-for-tablets offerings.

They also face a dizzying array of decisions brought on by evolving standards and platforms: Should a certain book come to life as a dedicated app, an approach that, until iBooks 2 was released, offered more flexibility in terms of features like video and audio on the iPad? Or should it be turned into an “enhanced ebook,” which will work on Apple’s tablet as well as Amazon’s Kindle Fire, Barnes and Noble’s Nook, and other devices, but must be re-created several times over to meet each device’s specs?

Read this in full.

Therein lies the rub: are enhanced ebooks a profitable return-on-investment for publishers? This is explored by Digital Book World (@DigiBookWorld) in Andrew Rhomberg’s (@arhomberg) “Some Tough Questions for Enhanced Ebooks.”

Also see our previous blogpost, “Extensive New Study: The Rise of E-reading” and Mike Shatzkin’s (@MikeShatzkin) analysis, “A feast of data to interpret in new Pew survey of book readers about ebooks.”

And then there’s the article, “A Billion-Dollar Turning Point for Mobile Apps” by New York Times (@nytimestech) tech reporter Jenna Wortham (@jennydeluxe) that, even though it focuses on the Web strategy of entrepreneurs and start-up companies, may have implications for publishers preparing ebooks and ebook apps for tablets.

The path for Internet start-ups used to be quite clear: establish a presence on the Web first, then come up with a version of your service for mobile devices.

Now, at a time when the mobile start-up Instagram can command $1 billion in a sale to Facebook, some start-ups are asking: who needs the Web?

“People are living in the moment and they want to share in the moment,” says professor S. Shyam Sundar, a director of the media Effects Research Lab at Pennsylvania State University. “Mobile gives you that immediacy and convenience.”

Read this in full.

Contact Somersault (@smrsault) to help you plan your strategy for ebook (as well as pbook) publishing.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

The wonder, the art, the magic, the work of creating a printed book  — often forgotten in this digital age  — is demonstrated in the above video. Filmmaker Glen Milner (@glen_milner) visited Smith Settle bookbinders near Leeds, England, where the owners, Don Walters and Tracey Thorne, allowed him to film the making of the 17th Slightly Foxed (@FoxedQuarterly) book, Suzanne St Albans’ memoir Mango and Mimosa, from start to finish. The Telegraph (@Telegraph) reports:

Here, you’ll get a behind-the-scenes look at the printing plates, the stitching of the “signatures” (folded sections), the pressing and gluing, the adding of the ribbon bookmark and head and tail bands, the making of the final hardcover in green linen cloth and the numbering of the copies. All of it done with great care, much of it by hand.

The video below on Kottke.org (@Kottke) shows that back before print on demand, laser printers, and the Internet, even machine printing and binding was a time-consuming laborious process, that took teams of people working together to produce just one book.

Just for fun, here’s a video of what the help desk would look like back in the day when print books overtook scrolls.

And, one artist looks at print books and sees a canvas from which to carve art.

See all the amazing photos.

Also see our previous blogposts “The Technology of Storytelling” and “Introducing the New Book.”

Whether pbook or ebook, contact Somersault (@smrsault) to help you pursue publishing in this digital age.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

According to a new report by the Pew Research Center’s (@pewresearch) Internet & American Life Project (@pewinternet), 43% of Americans age 16 and older read long-form digital text such as ebooks and magazines, and many say they’re reading more because books and other long-form material are in a digital format.

One-fifth of American adults (21%) report they’ve read an ebook in the past year; this number increased following a gift-giving season that saw a spike in the ownership of both tablet computers and ebook reading devices such as the original Kindles and Nooks. In mid-December 2011, 17% of American adults had reported they read an ebook in the previous year; by February, 2012, the share increased to 21%.

The average reader of ebooks says she’s read 24 books (the mean number) in the past 12 months, compared with an average of 15 books by a non-ebook consumer. For device owners, those who own ebook readers say they’ve read an average of 24 books in the previous year (vs. 16 books by those who don’t own that device). They report having read a median of 12 books (vs. 7 books by those who do not own the device.

·         30% of those who read e-content say they now spend more time reading, and owners of tablets and ebook readers particularly stand out as reading more now.

·         The prevalence of ebook reading is markedly growing, but pbooks still dominate the world of book readers.

·         People prefer ebooks to pbooks when they want speedy access and portability, but print wins out when people are reading to children and sharing books with others.

·         Ebook reading happens across an array of devices, including smartphones.

·         Those who read ebooks are more likely to be under age 50, have some college education, and live in households earning more than $50,000.

·         11% of all Americans age 16 and older – or 14% of those who have read a book in the past year – consume audiobooks.

·         The majority of book readers prefer to buy rather than borrow.

·         61% of e-reading device owners said they purchased the most recent book they read, compared with 48% of all readers.

·         Owners of e-reading devices are more likely than all Americans 16 and older to get book recommendations from people they knew (81% vs. 64%) and bookstore staff (31% vs. 23%).

·         26% of those who had read a book in the past 12 months said that what they enjoyed most was learning, gaining knowledge, and discovering information.

Read this in full.

Also see Mike Shatzkin's (@MikeShatzkin) analysis in "A feast of data to interpret in new Pew survey of book readers about ebooks."

Contact Somersault (@smrsault) to help you plan your strategy for ebook (as well as pbook) publishing.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

Reporter Lauren A. E. Schuker of The Wall Street Journal interviews bestselling author James Patterson, who had 11 books released last year and has 13 coming out this year.

To date, the 65-year-old author has published 95 books and according to Nielsen ranks as the country’s top-selling author. Those numbers have added up to big business: Mr. Patterson earns more than $80 million a year, according to people familiar with his publishing empire.

Mr. Patterson works seven days a week out of a two-room office suite at his Palm Beach, FL oceanfront home. White bookshelves line the first room, where he does the bulk of his writing, all in pencil on white legal pads. There’s no computer; just a telephone, fax machine, an iPad, and a bag of bubble gum. The second room looks like a traditional bedroom, but the bed is covered by books, loose-leaf papers, and manuscripts.

When it comes to writing, he has a well-practiced system: he writes a detailed outline and then hires someone—often a former colleague from his advertising days — to write the ensuing scenes, usually in 30 to 40 page chunks. He will review those pages every few weeks, sometimes providing notes on them and other times re-writing them entirely.

Read this in full.

Contact Somersault (@smrsault) to help you pursue publishing in this digital age.

And be sure to bookmark and use daily the SomersaultNOW online dashboard.

Recognizing the absolute highest quality in Christian books based on excellence in content, literary quality, design, and impact, the Evangelical Christian Publishers Association (@ecpa) has announced 40 finalists in 7 categories (Bibles, Bible Reference, Children, Fiction, Inspiration, New Author, Non-Fiction) for the 2012 Christian Book Awards (@ChristianBkExpo).

The debut of the “New Author” category resulted in 6 finalists from both fiction and nonfiction, and represents a new opportunity of exposure for new voices in Christian publishing. One new author title, Kisses from Katie, also appeared on The New York Times bestseller list in the past year.

Judging results in the Non-Fiction category yielded a 3-way tie for a total of 7 finalists in that category. Other ties are in Inspiration, New Author, and Bible Reference. “This year’s 40 finalists and 5 ties represent the strength and quality of content our industry continues to produce, in both seasoned and new voices and from small, mid-sized, and large publishing houses,” says ECPA President Mark Kuyper. “We congratulate each author and the 16 publishers represented on this list!”

One title from each category will be announced April 30 as the Christian Book Award winner. And one title will be chosen among all the finalists to receive the highest honor of 2012 Christian Book of the Year.

Read this in full.

See previous winners.

Contact Somersault (@smrsault) to help you navigate 21st century Christian publishing.

And be sure to bookmark and use daily the SomersaultNOW online dashboard, designed especially for publishing and marketing professionals.