Understanding Idea Adoption

In one of his recent blogs, marketing expert, author, and speaker Seth Godin (@ThisIsSethsBlog) reminded marketers that marketing is a long-term process, not a single effort.

In the last year, millions of people have bought a copy of 50 Shades of Grey. Here's the thing: they didn't all do it at the same time.

Some people bought it when it was a self-published ebook. Others jumped in when word of mouth started to spread, enough that it became a bestseller. Most people, though, waited until it was on the bestseller list, in piles at the bookstore, and the subject of positive and negative discussion and even parodies. And a few people are going to buy it two years from now, after everyone else who was willing to read it already has....

This is what almost always happens. Individuals choose a slot based on what sort of leadership or risk or followership behavior makes them happy right now. Early adopters and nerds like to go first. But some people are early when it comes to shoes, or to mystery novels, or records, while others adopt early when it comes to political ideas or restaurants.

Most of the time, most of us choose to be in the slot of mass. The masses wait to see the positive reviews, or they monitor the bestseller lists. The masses know they have plenty of time; that they'll get around to it when they get a chance, and mostly, they are driven by what their peers (the early adopters, the ones who keep track of this stuff) tell them....

The glitch in the system is that many marketers obsess only about the launch. They put their time and money and effort into the first week on sale, and then run to work on the next thing, when in fact, the mass market, those that choose to wait for more than "it's new!," haven't decided to take the leap yet.

Perversely, marketers look at what typically happens after the launch and say, "it's not worth sticking with this, because stuff that doesn't take off right away rarely does." And the reason? Because it was abandoned by the marketers who introduced it and then ran off to play with the next shiny object. It's self-fulfilling.

The fact is that almost all the profits of the record and book businesses come from the backlist, from Pink Floyd and Dr. Seuss....

Read this in full.

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Social Media Is About Cultivating Community, Not Corralling Cattle

Media pundit Bob Garfield (@Bobosphere) sunccinctly explains the unique aspect of social media marketing. He says, “In the Relationship Era, sales tactics drive consumers away.”

Yes, we are all of us in business with transactions in mind. Yes, more transactions are almost always better than fewer transactions. Yes, we hope our social media efforts -- like everything else we do -- will be followed by more people purchasing our goods and services. Indeed, if you succeed in forging relationships with your various constituencies, and you are open and honest and share (i.e., in both directions) compelling and relevant stuff, loyalty and trust will grow and from that will flow more business at lowers acquisition costs.

But if you are cultivating community and conversation for the purpose of corralling cattle into the slaughterhouse, you are not engaging in a social strategy. You are engaging in a sales strategy, which is pretty close to the antithesis of social marketing. We are in the Relationship Era. This is no time for manipulation.

Read this is full.

See also our previous blogpost, “Forget Product Positioning, This is the Dawn of the Relationship Era” and others with our Social Media marketing tag.

Contact Somersault (@smrsault) to help you strategically publish and market pbooks, ebooks, and audiobooks.

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What I Learned from James Patterson

Author Mark Sullivan (@MarkSullivanBks) shares his learning experiences writing novels with James Patterson. Sullivan says, “I thought I knew what I was doing when it came to commercial fiction. Working with Patterson, however, I discovered quickly that I didn’t.”

Characters, especially heroes and villains, were to be thought about carefully. They had to be human, above all, and then we had to subject them to terrible ordeals that took them to the brink of their capacities and beyond….

Exposition was severely limited. The old adage—show, not tell—was critical, and the element of surprise was paramount….

The sum of this advice was to sacrifice all for the story and the characters. Outlines were trusted navigational charts, yet we were free to sail in other directions as the novel evolved. But if you were going to change something, it had to be a terrific change….

Read this in full.

Also see our previous blogpost, “James Patterson Explains Why His Books Sell Like Crazy.”

Contact Somersault (@smrsault) to help you strategically publish and market pbooks, ebooks, and audiobooks.

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Ebooks Destroying Traditional Publishing? The Story's Not That Simple

 

NPR reporter Zoe Chace (@zchace) says conventional wisdom about publishing is that ebooks are destroying the business model.

People expect them to be cheaper than physical books, and that drives down prices. But the story's not that simple. For one thing, digital publishers have the same problem that record labels do: piracy. And there's just not the same stigma attached to pirating an ebook as there is to holding up a Barnes & Noble.

It turns out, though, that some publishers are doing pretty well despite the piracy problem.

Read this in full.

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Favorite Book Cover Designs of 2012

The New York Times (@nytimesbooks) book section asked people in and around the world of graphic design to name one of their favorite book covers from 2012 and briefly describe its appeal. Do you agree with their selection?

See all 19 covers.

Also see our previous blogpost, “Christian Publishing's 2012 Best Book Covers.”

Contact Somersault (@smrsault) to help you strategically design your book covers.

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58 Social Media Tips for Content Marketing

Michele Linn (@michelelinn), content development director of the Content Marketing Institute (@CMIContent), offers suggestions in the above presentation and ebook on how to use the most popular social media channels for effective sharing of your marketing communication messages. For example,

·         On Facebook, spend time posting well-edited photos and well-written copy. Volume isn’t everything; consistent quality is much more significant.

·         Use Facebook’s Page Post Targeting service.

·         Make use of hashtags on Twitter.

·         Enable the embedding function on your YouTube videos.

Read the ebook (pdf) in full.

Contact Somersault (@smrsault) to help you strategically communicate your brand message through content marketing.

Learn about SomersaultSocial, our Web-based author online marketing education modules.

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Christian Publishing's 2012 Best Book Covers

The Evangelical Christian Publishers Association (@ecpa), in conjunction with Dickinson Press as the sponsor, has announced the winners of the ECPA | dp Book Cover Awards. A total of 101 covers were submitted from 19 publishers for the 6th annual program.

Launched in 2007, the awards aim to educate, promote, and recognize superior cover design in Christian publishing. This year, the program presented two awards: one for design and one for research-based marketability.

Highlighting the art aspect of book covers, the ECPA Book Cover Design Award focuses on the design merits of a book cover, including the level of conceptual thinking, the quality of the execution, and appropriateness for the market. Design winners are:

·         The Hole in Our Holiness by Kevin DeYoung; designed by Josh Dennis (Crossway); in the Small Publisher category

·         Daddy, Is That Story True or Were You Just Preaching? by James W. Moore; designed by David Carlson (Abingdon Press); in the Mid-Sized Publisher category

·         Love Does by Bob Goff; designed by Connie Gabbert (Thomas Nelson); in the Large Publisher category.

Highlighting the science aspect of covers, the Research award is based on the consumer-buying research of the Research Institute for Social Change, which measures consumer motivations as it relates to cover design and book sales. Covers were judged and analyzed on how well their design elements match characteristics of their intended audience. Research winners are:

·         Spark by Jason Jaggard; designed by Kristopher Orr (WaterBrook Press); in the Small Publisher category.

·         What Every Man Wishes His Father Had Told Him by Byron Forrest Yawn; designed by Koechel Peterson & Associates (Harvest House Publishers); in the Mid-Sized Publisher category

·         Soul Detox by Craig Groeschel; designed by Curt Diepenhorst (Zondervan); in the Large Publisher category.

Also see our previous blogposts:

·         The 2013 Christianity Today Book Awards

·         The 2012 Leadership Book Awards

·         ECPA Announces 2012 Christian Book Award Finalists

·         Christian Book Award Winners for 2012

·         2012 Christian Small Publisher Book of the Year Award Winners Announced

·         ECPA Announces 2011’s Best Book Covers.”

Contact Somersault (@smrsault) to help you strategically design your book covers.

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Infographic: Summary of Top Company Website Design

Effective website design should take into consideration such data-driven principles as search engine optimization (SEO), social media optimization (SMO), responsive Web design (RWD), and user experience optimization (UXO). But visual design is also important. The above Infographic by GO-Globe.com (enlarge it) is an analysis of how Fortune 500 companies generally design their websites. Something to think about for your own site.

·         93% of Fortune 500 companies place their logo in the top left corner.

·         27% of logos include a tagline or slogan.

·         63% of companies have content above the fold. Users scroll on the remaining 37% websites to find content.

·         87% of websites have a search field.

·         50% of websites features a scrolling content window of some kind.

·         47% of websites have clear call-to-action buttons on their homepages that take users 3 seconds or less to find.

·         Only 11% of Fortune 500 websites have social media links above the fold; 89% below the fold.

·         60% of companies feature latest news and blogposts on their homepages.

·         Contact information is hard to find on 63%.

·         More than 80% of companies do not have a newsletter signup feature on their homepages.

·         More than 70% of Fortune 500 companies use favicon icons.

·         Average loading time of a homepage is 6.5 seconds; average size of homepage is 766 Kb.

·         Average width of website is 877 pixels.

·         Only 3% of websites use Flash to display content throughout the entire homepage.

·         80% of websites primarily use a light background and color scheme.

·         93% of websites have centered-approach navigation.

·         63% of websites use high quality images on their homepages to connect with users.

Contact Somersault (@smrsault) to help you strategically design your online brand presence.

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To Remain Relevant, Publishers Must Educate Authors

At the recently held LitFlow-Thinktank (@LitFlow) in Berlin, publishing pundit Jane Friedman (@JaneFriedman) said publishers must demonstrate their continued relevance in light of current technology that minimizes the barrier to entry for authors to publish their own books apart from depending on established publishers. She said:

Publishers, for the first time, have to earn their keep by providing a value that extends beyond production and distribution — and possibly even editorial direction. The biggest problem that authors must solve for themselves, year after year, is (1) staying competitive, current, and discoverable in a shifting digital landscape (2) having the right tools to be effective and in touch with their readers, and (3) having a strong network of connections that helps them better market and promote. All of these things are well within a publisher’s ability to assist with, only they haven’t been putting any resource into providing such assistance. They have been focused on their own corporate problems of shifting to a digitally enabled business, and squeezing as many sales as possible out of their mastery of print book sales and distribution. Most of the thinking is centered on self-preservation. But I’d like to suggest that the best self-preservation measure of all is becoming a house that’s known and respected for — in the eyes of its authors — being an active, long-term partner and resource. By empowering each author to do better, the publisher is ensuring more sales over the long run.

Friedman suggests 3 ways publishers should add value to continue attracting authors:

  1. Create an author collective, where authors assist each other in branding, marketing, and promotion.
  2. Make available an author education program of 101/evergreen education in the form of white papers, webinars, tutorials, screencasts, Q&As, and events.
  3. Devote at least one person full time to nurturing author development and community.

Read her presentation in full.

Listen to her presentation.

Also see eReport’s (@nztaylor) coverage, “How publishers can stay in the game.”

See our previous blogposts, “Guy Kawasaki's New Self-Publishing Instruction Book” and "Publishing Must Reinvent Itself."

Contact Somersault (@smrsault) to help you publish and market your ebooks and pbooks.

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Video: Inside Random House

Random House (@randomhouse) and Random House Audio (@RHAudiobooks) have produced the above videos in an effort to elevate their brand reputation among authors, agents, booksellers, and consumers. Are they over-selling?

Also see Digital Book World’s (@DigiBookWorld) article, “Random House Explains What Publishers Do.”

Contact Somersault (@smrsault) to help you publish and market your ebooks, pbooks, and audiobooks.

Learn about online marketing with SomersaultSocial.

Add our Facebook page (http://facebook.com/SomersaultGroup) & Twitter stream (http://twitter.com/smrsault) to your Flipboard account on your iPad, iPhone, or Android. 

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