In The New York Times (@nytimes) Janet Maslin reviews Just My Type: A Book About Fonts by Simon Garfield (@simongarfield), saying, “This is a smart, funny, accessible book that does for typography what Lynne Truss’ best-selling Eats, Shoots & Leaves did for punctuation: made it noticeable for people who had no idea they were interested in such things.”
Knowledge of fonts is essential to advertising, book publishing, professions (like law) that require thoughtfully chosen stationery and any written work that can be done on a home computer. Personal computers are the main reason that font fandom and do-it-yourself design have snowballed in the last two decades. Had Steven Jobs not taken a shine to calligraphy as a college student and decided to include a choice of fonts in computer software, we might not be having this conversation.
Mr. Garfield’s book overlaps with Gary Hustwit’s (@gary_hustwit) 2007 documentary Helvetica, which concentrated entirely on a single, unstoppably popular typeface. Is global proliferation of the very Swiss, clean, antiseptic Helvetica a welcome phenomenon, or is Helvetica the weedy, unstoppable kudzu of the design world? Mr. Garfield takes a somewhat jaundiced view of Helvetica mania, but he hardly limits himself to one narrow school of fontificating. A full look at font history, aesthetics, science, and philosophy could fill an encyclopedia, but Just My Type is an excellent gloss. Mr. Garfield has put together a lot of good stories and questions about font subtleties and font-lovers’ fanaticism.
Just My Type covers phenomena including how the fonts on road signs are tested for legibility and what the fonts used by various political campaigns subliminally communicate about candidates. It explains relatively arcane matters like kerning (the science of spacing letters)....And if it does nothing else Just My Type will make it impossible for you to look at logos, road signs, airports, magazines, and advertisements indifferently any longer.
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