In our digital age of Kindles, Nooks, iPads, and Kobos, some people still relish the fine art of the bound printed book; they simply may not want to read it! An article in The New York Times tells the tale of using leatherbound books more for decorative wallpaper than for intellectual expansion. It says, “The printed bound book has been given a stay of execution by an unlikely source: the design community.” Here’s an excerpt:
Jeffrey Collé, a builder of vast Hamptons estates that mimic turn-of-the-century designs, wouldn’t think of omitting a library from one of his creations. A 16,800-square-foot Shingle-style house on 42 acres in Water Mill, N.Y., comes with a $29.995-million price tag and a library Mr. Collé had built from French chalked quarter-sawn oak; with about 150 feet of shelf space, there is room for more than 1,000 books.
It’s up to the buyers or their decorator to fill that space, said Mr. Collé, who has collaborated with Bennett Weinstock, a Philadelphia decorator known for his English interiors, on some of his libraries. Mr. Weinstock still shops in London to find just the right leatherbound look, he said. “Some people will insist that they be in English, because they want them to look as if they could read the books,” Mr. Weinstock said. “Others don’t care what language the books are in as long as the bindings are beautiful.”
Even a modernist builder like Steve Hermann in Los Angeles, who makes sleek multimillion-dollar houses for buyers like Christina Aguilera, includes acres of shelves in his high-end spec houses. Mr. Hermann designed a glassy Neutra-like house with a 60-by-14-foot shelving system, which has room for 4,000 books, he said.
“But who has 4,000 books?” he said. “I always stage my houses, so it was up to me to fill the shelves.” He ordered 2,000 white-wrapped books from Mr. Wine and deployed them in tidy, horizontal stacks (watch for the white-wrapped book to become this year’s version of the deer head).