How to Build the Pixar of the iPad Age

In an effort to explore the essence of what it means to create an enhanced ebook, this article [profanity alert] in the Atlantic (@TheAtlantic) showcases Moonbot Studios (@moonbotstudios), “a rousingly successful production company for children's entertainment.”

Their first project, The Fantastic Flying Books of Mr. Morris Lessmore (@MorrisLessmore), was released for the iPad last May. It recounts the wondrous adventures of a book lover who dotingly cares for a living library before writing a book himself that tells of “his joys and sorrows, of all that he knew and everything that he hoped.” Gorgeously illustrated, Lessmore breaks new ground in the way that it incorporates interactivity. Each page has a wormhole of interaction. Read about a song and perhaps a keyboard will pop up and guide your fingers to plunk out "Pop Goes the Weasel." When Morris Lessmore hand-feeds alphabet cereal to his books, the reader gets a bowl too, with letters that can be dragged along through the milk to spell out words. Each page holds its game like a secret and puzzling out what to do encourages the reader to look harder, knowing they'll be rewarded. The games pull the reader deeper; the narrative pulls the reader farther. The tension between lingering and racing is potent.

Morris Lessmore may be the best iPad book in the world. In July, Morris Lessmore hit the number one spot on Apple's iPad app chart in the US. That is to say, Morris Lessmore wasn't just the bestselling book, but the bestselling *app* of any kind for a time. At one point or another, it has been the top book app in 21 countries. A New York Times reviewer called it “the best,” “visually stunning,” and “beautiful.” Wired.com called it “game-changing.” MSNBC said it was “the most stunning iPad app so far.” And The Times UK made this prediction, “It is not inconceivable that, at some point in the future, a short children's story called The Fantastic Flying Books of Mr. Morris Lessmore will be regarded as one of the most influential titles of the early 21st century.” ....

....But what is it? It's not just a book, nor wholly a movie, nor fundamentally a game. Maybe we can call it a story that's reenacted live by whoever is holding the iPad. It makes parents cry, kids laugh, babies stare, and artists drool.

Read this in full.

Also see our previous blogpost, “William Joyce’s Children’s iPad Book Embraces the Future.”

For a counterpoint to the above articles, see our blogpost “Can Bells and Whistles Save the Book?.”

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